Statens museer för världskultur - Östasiatiska museet
wood
Östasien
나무 木
docka, leksaker
1.3.0 2026-08-19 docka, leksaker Rådata 103939 objekt Statens museer för världskultur - Östasiatiska museet SMVK-OM Föremål http://kulturarvsdata.se/SMVK-OM/objekt/103939 OM-1995-0008 Kokeshi från kurorten Narugo, Miyagi. Trädocka. Den svagt inböjda cylindriska "kroppsdelen" är målad med ett krysantemum- mönster som kallas för hishigiku ; ögonens stil kallas för hitoe-mabuta ("enkelsidigt ögonlock") och näsan är typ neko-bana (kattnos). Docka, trä, Japan., (Daterad) 1982,10,16; Zô (given av) Furukawa Shôwa Ikai (Medecinska Föreningen Furukawa Shôwa), Narugo Ônuma Chikara saku, Gåva av Ambassadör och fru Gunnar och Inger Lonaeus, Höjd 56 cm, Diam ca.15 cm. från textilmag., Ônuma Chikaras lärare hette Ônuma Chikai Chizuko Takeuchi and Roberta Stephens, An Invitation to Kokeshi Dolls (Chizuko Takeuchi, 1982), 33-41. Lea Baten, The Image and the Motif: Japanese Dolls (Lea Baten, 1986), 24, 43-44. 1982), 33-41. An Invitation to Kokeshi Dolls: Kokeshi dolls from Narugo spa in Miyagi: Thick sturdy bodies with squared shoulders; most of them have chrysanthemum designs on the bodies although on some of them other flowers or maple leaves are painted. Except for small-sized dolls, their heads and bodies come from two pieces of wood and are fitted into the bodies in such a way that the completed dolls make squeaking sounds if the heads are turned slightly. The eyes are drawn with single crescent lines with small eyeballs underneath (hitomabuta). This together with small noses and mouths gives the dolls very gentle but slightly aloof expressions. But for a few exceptions no lower eyelines are drawn. Besides Narugo these dolls are found in such places as Hanamaki and Hiraizumi (both in Iwate-ken). The lathework is a purely mechanical process in which a variety of inexpensive wood is used but the decoration is the important part of the doll. Lea Baten, The Image and the Motif: Japanese Dolls (Lea Baten, 1986), 24, 43-44; notes: Female; lathe turned sphere and cylinder. Painted decoration and shape characteristic for each production centre. // In September there is a three day Kokeshi festival in Narugo (7th - 9th), with dedication of dolls to the Shintô deity on the first day and a cremation service for "unborn" or defective dolls on the second., Japan Förvärvad Lonaeus, Gunnar, Lonaeus, Inger Tillverkad Ônuma Chikara (f. 1927) Ursprung Japan image/jpeg https://collections.smvk.se/carlotta-om/web/image/tn/383345/representation https://collections.smvk.se/carlotta-om/web/image/zoom/383344/representation http://kulturarvsdata.se/resurser/License#by Östasiatiska museet, Ônuma Chikara (f. 1927) Statens museer för världskultur http://kulturarvsdata.se/SMVK-EM/name/3213225 http://kulturarvsdata.se/SMVK-OM/objekt/html/103939 http://kulturarvsdata.se/SMVK-OM/objekt/xml/103939 http://kulturarvsdata.se/SMVK-OM/objekt/rdf/103939
Beskrivning
Kokeshi från kurorten Narugo, Miyagi. Trädocka. Den svagt inböjda cylindriska "kroppsdelen" är målad med ett krysantemum- mönster som kallas för hishigiku ; ögonens stil kallas för hitoe-mabuta ("enkelsidigt ögonlock") och näsan är typ neko-bana (kattnos).
Docka, trä, Japan.
Påskrift
(Daterad) 1982,10,16; Zô (given av) Furukawa Shôwa Ikai (Medecinska Föreningen Furukawa Shôwa)
Signatur, konstnär
Narugo Ônuma Chikara saku
Förvärvsomständigheter
Gåva av Ambassadör och fru Gunnar och Inger Lonaeus
Sigill
Anmärkning
Höjd 56 cm, Diam ca.15 cm. från textilmag.
Ônuma Chikaras lärare hette Ônuma Chikai Chizuko Takeuchi and Roberta Stephens, An Invitation to Kokeshi Dolls (Chizuko Takeuchi, 1982), 33-41. Lea Baten, The Image and the Motif: Japanese Dolls (Lea Baten, 1986), 24, 43-44. 1982), 33-41. An Invitation to Kokeshi Dolls: Kokeshi dolls from Narugo spa in Miyagi: Thick sturdy bodies with squared shoulders; most of them have chrysanthemum designs on the bodies although on some of them other flowers or maple leaves are painted. Except for small-sized dolls, their heads and bodies come from two pieces of wood and are fitted into the bodies in such a way that the completed dolls make squeaking sounds if the heads are turned slightly. The eyes are drawn with single crescent lines with small eyeballs underneath (hitomabuta). This together with small noses and mouths gives the dolls very gentle but slightly aloof expressions. But for a few exceptions no lower eyelines are drawn. Besides Narugo these dolls are found in such places as Hanamaki and Hiraizumi (both in Iwate-ken). The lathework is a purely mechanical process in which a variety of inexpensive wood is used but the decoration is the important part of the doll. Lea Baten, The Image and the Motif: Japanese Dolls (Lea Baten, 1986), 24, 43-44; notes: Female; lathe turned sphere and cylinder. Painted decoration and shape characteristic for each production centre. // In September there is a three day Kokeshi festival in Narugo (7th - 9th), with dedication of dolls to the Shintô deity on the first day and a cremation service for "unborn" or defective dolls on the second.
Land, engelska / ursprung
Japan
Material, engelska
Materialkategori
trä
Material
Sakord
docka
leksaker
Accessionsnummer
Förvärvad
Lonaeus, Gunnar, Lonaeus, Inger
Tillverkad
Ônuma Chikara (f. 1927)
Ursprung
Östasiatiska museet, Ônuma Chikara (f. 1927)
Statens museer för världskultur