細田時富
type: Entity
ksamsok version: 1.3.0
service name: name
service organization: SMVK-EM
service organization full: Statens museer för världskultur - Etnografiska museet
build date: 2026-08-03
url: https://collections.smvk.se/carlotta-em/web/object/3212808
subject: culturalHistory
data quality: raw
item super type: agent
item type: person
item key word: Gorobei
item key word: Tokitomi
item key word: Jibukyo
item key word: Chōbunsai
item key word: 鳥文斎 栄之
item key word: Chobunsai
item key word: Hosoda Tokitomi
item key word: Jobuky
item key word: Eiji Hosoda
item key word: 細田時富
item title: konstnär
item label: Eishi Hosoda
item description: ItemDescription
  type: Beskrivning
  desc: Hosoda Eishi, född 1756, död 1829, japansk konstnär. (aliases: Eishi Chobunsai; Chōbunsai; Eiji Hosoda; Eishi; Hosoda E. Eishi; Eishi (1756); Eshi; Gorobei; Hosoda; Hosoda Eishi; Hosoda Jobuky Tokitomi; Hosoda Tokitomi; Hosoi; Jibukyo Eishi Fujiwara Tokitomi; Kabane Fouyivara Tokitomi; Kabane Fujiwara; Kaei; Kosetsuin Denkaishin Eishi Nichizui Koji; Kuzaemon Yasaburo; Kyuzaemon Yasaburo; Taminosuke; Tokimasa; Tokitomi; Yasaburo; Yasaburo Eishi)
item description: ItemDescription
  type: Beskrivning
  desc: Chobunsai Eishi, 1756-1829
item description: ItemDescription
  type: Tidpunkt / födelse
  desc: 1756
item description: ItemDescription
  type: Tidpunkt / död
  desc: 1829
item description: ItemDescription
  type: Beskrivning / engelska
  desc: Chôbunsai Eishi was an ukiyo-e painter and print designer, known primarily for his depictions of tall, thin, graceful beauties. The eldest son of a local Edo samurai official of the Hosoda family, Eishi studied under Kanô Michinobu, and served as an official court painter to the shogunate for a number of years. He held hatamoto rank and had an income of 500 koku. His art-name, Eishi, was granted him by the shogun Tokugawa Ieharu himself. Chôbunsai is likewise a pseudonym, a studio name, using the character sai (斎) in its meaning of "studio," much as did the artists Hokusai, Kôryûsai, Keisai Eisen and Ichiryûsai Hiroshige. In the mid-1780s, however, Eishi made a dramatic change, and moved from the realm of elite painting to ukiyo-e. After working on illustrations for kibyôshi for several years, in 1789, he began producing ukiyo-e works in earnest, including single-sheet prints and paintings. His style shows influence from Utamaro, Torii Kiyonaga and others, but bears distinctive elements as well. Eishi's women are tall and slender, a continuation and development of a trend begun by Utamaro and Kiyonaga, and they bear a refinement and grace rarely exceeded by the figures in bijinga by other artists. Around 1798, he quit print designs, and turned his attention more fully to painting. It is said that one of his handscrolls, depicting scenes along the Sumidagawa, so impressed the wealthy patrons for whom it was painted that they presented it at a special showing to the Imperial family. This was an especially rare honor for a plebian ukiyo-e piece, one which perhaps no other ukiyo-e artist ever enjoyed. Though Eishi never formally established a school and trained but a few direct pupils, ukiyo-e connoisseur Richard Lane identifies a number of artists who followed in Eishi's footsteps, describing them as "among the most fascinating secondary figures in ukiyo-e history". They include Eishôsai Chôki, Chôkôsai Eishô, Rekisentei Eiri, Chôkyôsai Eiri, and Ichirakutei Eisui. (wi… @en
item description: ItemDescription
  type: Beskrivning / engelska
  desc: Hosoda Eishi (1756-1829) was of high-ranked samurai birth and began his painting career as a pupil of the Kanō school artist Eisen-in Michinobu. Such privileged background and training were quite unusual among Ukiyo-e painters. (www.britishmuseum.org, 2013-11-25) @en
item name: ItemName
  type: Visat namn
  name: Eishi Hosoda
item number: ItemNumber
  type: Libris-id / samma som
  number: - id -
context: Context
  context type: start
  context super type: create
  country: jp
  country name: Japan
  from time: 1756
  to time: 1756
context: Context
  context type: stop
  context super type: cease
  from time: 1829
  to time: 1829
item license: cc0
item license url: http://creativecommons.org/publicdomain/zero/1.0/
presentation: 1.3.0 2026-08-03 Eishi Hosoda Rådata 3212808 name Statens museer för världskultur - Etnografiska museet SMVK-EM Namn http://kulturarvsdata.se/SMVK-EM/name/3212808 - id - Hosoda Eishi, född 1756, död 1829, japansk konstnär. (aliases: Eishi Chobunsai; Chōbunsai; Eiji Hosoda; Eishi; Hosoda E. Eishi; Eishi (1756); Eshi; Gorobei; Hosoda; Hosoda Eishi; Hosoda Jobuky Tokitomi; Hosoda Tokitomi; Hosoi; Jibukyo Eishi Fujiwara Tokitomi; Kabane Fouyivara Tokitomi; Kabane Fujiwara; Kaei; Kosetsuin Denkaishin Eishi Nichizui Koji; Kuzaemon Yasaburo; Kyuzaemon Yasaburo; Taminosuke; Tokimasa; Tokitomi; Yasaburo; Yasaburo Eishi) Chobunsai Eishi, 1756-1829, 1756, 1829, Chôbunsai Eishi was an ukiyo-e painter and print designer, known primarily for his depictions of tall, thin, graceful beauties. The eldest son of a local Edo samurai official of the Hosoda family, Eishi studied under Kanô Michinobu, and served as an official court painter to the shogunate for a number of years. He held hatamoto rank and had an income of 500 koku. His art-name, Eishi, was granted him by the shogun Tokugawa Ieharu himself. Chôbunsai is likewise a pseudonym, a studio name, using the character sai (斎) in its meaning of "studio," much as did the artists Hokusai, Kôryûsai, Keisai Eisen and Ichiryûsai Hiroshige. In the mid-1780s, however, Eishi made a dramatic change, and moved from the realm of elite painting to ukiyo-e. After working on illustrations for kibyôshi for several years, in 1789, he began producing ukiyo-e works in earnest, including single-sheet prints and paintings. His style shows influence from Utamaro, Torii Kiyonaga and others, but bears distinctive elements as well. Eishi's women are tall and slender, a continuation and development of a trend begun by Utamaro and Kiyonaga, and they bear a refinement and grace rarely exceeded by the figures in bijinga by other artists. Around 1798, he quit print designs, and turned his attention more fully to painting. It is said that one of his handscrolls,…